Purveyor of Knowledge and Emerging Publisher of Content and Visually Driven Books

January 5, 2026

Renato Rocha: Building Modern Sculptures


Renato Rocha in his 30s

Renato Rocha: Building Modern Sculptures
by: Christiane L. de la Paz


Invitation for a Group Exhibition with Renato Rocha at the Quad Gallery


Newpaper Feature on Renato Rocha, Times Journal, January 24, 1984


Newspaper Feature on Renato Rocha, Philippine Daily Inquirer, December 4, 1998

December 2013–From 1960-1965, Renato Rocha had a winning streak in various art competitions including the University of the Philippines Student Catholic Action Art Competition (UP SCA) and the National Student Art Competition. His big break came in 1965 when his piece, Expulsion from Paradise, an abstract figure of Adam and Eve won him the grand prize at the 18th Art Association of the Philippines Art Competition. He also participated in two international group exhibitions: the Seattle World’s Fair in 1962 and the New York World’s Fair in 1964.


Study for a Woman

In the beginning of his career, Rocha used acacia, molave and narra in sculpting abstracted figures of animals, family, women and other free forms as they were stylishly economical, glowing with mellow warm patinas and strong and lasting in character. In 1978, he opened his first solo exhibition, Renato A. Rocha: Recent Wood Sculptures at the Manila Peninsula Hotel and three years later, held his second solo exhibition, Rocha’s Wood Sculpture at the Rear Room Gallery at the Manila Garden Hotel. “I arrived at my style through exposure, assimilation and distillation. I see no threat that my style would ever get exhausted because flexibility resides in me” Rocha once said. “My works are documentation of my maturation and an index of our people’s maturation.” The Cry of Pugad Lawin (1971), Struggle of Man for Higher Knowledge (1974), Evolution (1976), Guitarist (1977), Reclining Figures (1977), Mariang Makiling (1989), Seal of Abra (1992) were among his key works. 


Rocha with his wife, Erlinda


Rocha during his 40s


Renato Rocha with his wife and seven children


Renato and his wife and their grandson




Renato Rocha’s children during his wake–August 24, 2001


Junior (Renato’s eldest son) with his mother, Erlinda

Born Renato Rocha on March 8, 1937 in Uson, Masbate, Rene is the second of four children of Ramon Rocha, an owner of boats for rent and Consuelo Autor, a housewife. Growing up in Tabaco, Albay, he used to dig out the clavey soil making up the termite hills in the rice fields, dwelling on nuno sa punso for use in modeling heads of animals, people and tiny figures. He spent his elementary and high school education in Uson High School and then attended the UP, graduating with a degree in Sculpture in 1963. From 1959-1960, he apprenticed under Anastacio Caedo and then under Napoleon Abueva from 1961-1965. He also studied commercial design under the Scranton International Correspondence School. In 1980, Rocha received the Araw ng Maynila Award in Sculpture. He was working on the art pieces he was planning to exhibit when he was stricken with a chronic liver disease. He died on August 24, 2001 and was survived by his wife, Erlinda Fallorina and their seven children.




 

Apprenticeships


1961 – 1965 – National Artist, Napoleon Abueva
1959 – 1960 – Professor Anastacio Caedo

One-Man Shows


1978 – Renato A. Rocha: “Recent Wood Sculptures”, The Manila Peninsula
1981 – Rocha’s Wood Sculpture: Rear Room Gallery, Manila Garden Hotel





Commissioned Works


Luneta Park – Two Sculpture 1964 – 65 
Himalayang Pilipino – “Cry of Pugad Lawin” 1971
UP Los Baños Searca – a) “Reinforce Concrete 11th Figure” 1976 b) “Mariang Makiling” 1989
UP Los Baños Bldg. – Mural: “Struggle of Man for Higher Knowledge” 1974
Madalena Bldg. – Perform Sculpture on Wood – “Evolution” 1976
Malacañang Guest House – Reinforse Concrete: a) “Guitarist” 1977 b) “Reclining Figures”
Ford Foundation – “1973 Bas Relief Sculpture on Wood”
Century Park Sheraton Hotel – Wood “3 Figures” 1977
Development Academy of the Philippines (Tagaytay) – 10ft – Wood: “Growth”
Province of Abra: 14ft “Seal of Abra” 1992
(Commission by Gov. Vicente Valera)
Far East Bank & Trust Co. – Two Wood Sculpture – 5ft. “Pagsibol”
(Paseo de Roxas New Main Bldg.)
Former SSS Chairman Arellano – “Thinker” 12ft.


Awards


1960 – 2nd Prize and Honorable Mention
UP Student Catholic Action Art Competition
1961 – 1st Prize UP Student Catholic Action Art Competition in Sculpture
2nd and 3rd Prize – National Student Art Competition 
1962 – 2nd Prize – XII National Student Art Competition
1st and 2nd Prize UP SCA Art Competition
2nd 15th AAP Annual Art Competition
1963 – 1st Prize – UP SCA Art Competition
          –1st Prize AAP Semi-Annual Art Competition
          –1st Prize 16th Annual AAP Art Competition
1964 – 1st Prize – 17th Semi-Annual AAP Art Competition
1965 – Grand Prize – 18th AAP Art Competition
1980 – Araw ng Maynila Award in Sculpture


Group Exhibition


1962 – Seattle World’s Fair
1964 – New York World’s Fair
1973 – Kilusang Sining Gallery
1974 – Quad Gallery
1979 – Museum of Philippine Art
1980 – Trends in Sculpture Museum of Philippine Art
     UP Los Baños Sculpture Exhibit with Castrillo, Marcelo and Abueva
     Erotic Sculpture, Playboy Club
     Five Directions Museum of Philippine Art



 
Josie Lim Cruz's Vital Gestures
Josie Lim Cruz's Vital Gestures
February 2012--Well-regarded by critics, artists, collectors and art students, Josie Lim Cruz began her artistic career in Manila during the mid-1980s but emigrated to America in 1995, where she continues to paint, teach, co...
lee mas...
THE PASTILLAS PAPER CUT TRADITION
The art of making the pabalat or pastillas wrappers has transformed in recent years from being a local, folk tradition into a popular art. Besides adding flair to the sweet pastillas de leche made from...
lee mas...
Mario de Rivera: Shape and Color of Memory
Mario de Rivera: Shape and Color of Memory
August 2013--LIBERTAD in Mandaluyong City could be a typical street in busy Metro Manila with its row of apartments and the bustle of passing motorists. On number 26, a mix of potted plants flanked the door to the home of...
lee mas...
The Quintessential Artist-Storyteller Emmanuel Garibay
The Quintessential Artist-Storyteller Emmanuel Garibay
Emmanuel Garibay was born on November 23, 1962 in Kidapawan, North Cotabato by a father who worked as a pastor in a Methodist church and a mother who worked in the city engineers office. His family moved...
lee mas...
Farewell (Or Underground With) Material Possessions
Farewell (Or Underground With) Material Possessions
MANILA, Philipines -- Possessors ordinarily ignore the prayerful’s admonition of detachment from material possessions.  With the National Cultural Heritage Act (R.A. No. 10066, signed into Law in March 2010),...
lee mas...
On Luna and Hidalgo
October 2013--I desire to unite with you in a single thought, in one sole aspiration: the glorification of genius, the exaltation of the Fatherland.
Such is, indeed, the reason for this gathering. In th...
lee mas...
Islamic Art in the Philippines
Islamic Art in the Philippines
October-November 2011--Islam as a religion has long been established since the early A.D. 600s. Along with its emergence around the world, it also paved way for the development of its own unique stlye of art. Islamic art pl...
lee mas...
Antique "Santos" Are Much More Than Folk Art
March 2015--When the Spaniards arrived in the Philippines with sword and cross in hand some four centuries ago, they brought with them  the art of religious image-making. The first “santo” on Philippine soil was a...
lee mas...
Gallery Owner: Silvana Ancellotti-Diaz of Galleria Duemila
Gallery Owner: Silvana Ancellotti-Diaz of Galleria Duemila
Italian-born beauty Silvanna Ancelloti-Diaz has spent the last thirty-two years in the Philippines promoting and exhibiting the works of the countrys blue-chip and contemporary artists. After settling in Ma...
lee mas...
Dina Gadia's Assembling Collage of Contemporary Art
Dina Gadia's Assembling Collage of Contemporary Art
July 2011-- Collage has a short and distinguished history and was firmly established as an art form of novelty in the 1920s and 1930s. Today, the popularity of collage is on the rise again and a new generation of young art...
lee mas...